He
floated up right through the Goldfish Castle this time, so she knew Mr.
Dellington was deep in thought. The Goldfish Castle had the most money she had
ever spent on a project, and was the proud glass home of Dorothy, Scarlett, Yossarian,
Stella, Dopey, Wedge, and Figwit. Mr. Dellington gave them all a good fright,
then glided past them to the dusty dishes in front of where she read by
lamplight.
She
threw out there, “You’re excited today.”
Everything
about Mr. Dellington is colorless; white and grey and even black would not dare
approach him. He once helped her find his picture in a library and completely
stunned her through the realization that he was once that young.
“I
am not excited, but passionately intrigued. I already have composed an opening
sentence. ‘It is difficult to assume the dissenting position on a soon-to-be
much-loved film when no one reads your article and no one reads your article
because you’re dead.”
“…
I still think it’s a bit wordy. Remember, dear, people don’t talk like that
nowadays.”
“Yes,
yes, I shall try to remember.”
Her
small hands put down the book and gave her more room on the wooden chair. “So
what movie did you see?”
“The
Shawshank Redemption.”
She
tightened her lips. “I think I read it. Title’s a bit different from how I
remember it. How was the crowd?”
“They
were mostly critics, and they should be ashamed to call themselves that.” Now
he stood through the perfect window into the broken yard by the black street
with still-passing cars. “Tears! Tears in the vacated popcorn buckets! I am
still uncertain if the film may be classified as bad, but a dishonest one
such as this should not effect people who have seen nearly as many films as I!
Of course, no one will ever see as many films as I…”
“Now
I remember,” she said. “It was the prison story with Red, the other Stephen
King one. Oh Mr. Dellington, is this because of, of how you died?”
Something
in the air took out the warmth from it.
“…
I have taken this calling- not just to watch, but to dissect- because I can separate from myself what other men can not.
It insults me to have that suggested, Ms. Pace.”
“Matilda,
dear.”
“Now,
Ms. Pace, the real reason…”
“Well,
it’s been long enough. Can I at least call you Marshal then?”
“What?
Of course not, Ms. Pace. We’re not married. Please cease these interruptions.”
She
did so with no more sound.
“Where
was- the real reason that this film disappoints so astonishingly is because it
takes a mentally-stimulating setting and turns it into another sentimental,
forced, and clache (“Cliché, dear,” she
added) message about hope. The wonderful unpredictability of films cannot
surface when the film itself keeps reminding us that the main character escapes
by the end. And heaven contain my surprise he does. This is why sympathy card
writers should stay out of the movies.”
“Well,
the book does…” After a bit of thought, she returned with a sterner voice. “Now
Mr. Dellington, I’ve told you what happens when you spend too much time
watching the production of a movie.”
“I
took your advice this time. I still don’t understand why it’s such information
must be ignored.”
“You’ll
have to do without it. Now, the book does talk about hope a lot too, so they
could just be faithful.”
“So
change it! Blast it, it’s not that difficult, and true film connoisseurs
wouldn’t mind. There were books around during my transition, but there’s a
distinct reason I became a film
critic! Now let’s get out your machine and begin already.”
She
rubbed the long eyelids. “No, I’d rather not tonight, dear. Reading all night
to wait is just not working anymore. I’m going to bed.”
“Come
now, Mrs. Pace, this is best explored when this is fresh in my head! Besides,
we must keep up a good schedule for when we start publishing these.”
“Don’t
you get it?” She stood up, accompanied with a voice that could still never get
loud. “These reviews will never be
published! I’m not going to use pen names or any other lies because people will
still find me and lock me up! Then what sane thing will listen to you again?
You’re better off thinking that your opinions won’t matter in the long run! And
that’s all you are now… an oven-baked ball of opinion.”
Her
teenaged paintings hung from the smelling walls. The chain from the lamp rocked
in small circles. Slowly, she stood up, using the edge of the chair to support
her, and began to walk to her bathroom, led by a hand on the wall.
“Matilda?”
She
turned.
“Matilda,
I would like to apologize. I assume I’ve taken you for granted. Those boxes of
reviews that keep me here would be useless dictations without your help. You
may be right; I should accept what I have.”
“Thank
you,” she said. “Now I am really tired. Goodnight Marshal.”
“Good
night, Matilda.”
She
picked up her copy of that other Stephen King prison story and began to let her
hand guide her again.
Very creative concept. I really like the idea of a ghost who tries to be a film critic, and the setup of Dellington dictating to Matilda like she is his secretary is very amusing. I'd like to know exactly how the two of them found each other and why Matilda agrees to help him. Does Dellington have to do a certain number of reviews before he can "move on", or does he review films simply because there is little else he can do in his current afterlife? I'd also like to get a better sense of Matilda's character. Her using her hand as a guide suggests to me that she is blind, but other references to looking at Dellington's picture, using her "machine" to help him, and her "teenaged paintings" (is she also a teenager who married very young?) make me unsure that she is. I think it would add some very interesting levels to the story if Matilda is blind--if she can hear but not see Dellington, how does she know he is a real ghost?--but if you choose to keep her sighted, that's fine. It seems like their relationship is the centerpiece of this story, and I like the back-and-forth between them.
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