Act II
Scene IX
Curtain opens to dance number, full blue-and-red lights, and “Float On,”
by Modest Mouse playing from 0:00, all still in a busy street in Judah. JUDAHITE
1 enters, goes to center, and is spotted.
JUDAHITE 1: I BACKED MY CAR INTO A COP CAR
THE OTHER DAY…
WELL
HE JUST DROVE OFF, SOMETIMES LIFE’S OK.
I
RAN MY MOUTH OFF A BIT TOO MUCH, OH WHAT DID I SAY…
WELL
YOU JUST LAUGHED IT OFF, IT WAS ALL OK.
Cut spot. The PRODIGAL FATHER enters, showing a picture of one of the
BDT members to various pedestrians.
PRODIGAL FATHER: Has anyone seen my son?
Anyone? I’m really worried about him…
JUDAHITES 2 AND 3 enter, arrive center stage and are spotted.
JUDAHITE 2: AND WE’LL ALL FLOAT ON OK
AND
WE’LL ALL FLOAT ON OK
AND
WE’LL ALL FLOAT ON OK
AND
WE’LL ALL FLOAT ON ANY WAY
JUDAHITE 3: WELL, A FAKE JAMAICAN TOOK EVERY
LAST DIME WITH THAT SCAM…
IT
WAS WORTH IT JUST TO LEARN FROM SLEIGHT-OF-HAND
BAD
NEWS COMES DON’T YOU WORRY EVEN WHEN IT LANDS,
GOOD
NEWS WILL WORK ITS WAY TO ALL THEM PLANS.
WE
BOTH GOT FIRED ON EXACTLY THE SAME DAY.
WELL
WE’LL FLOAT ON GOOD NEWS IS ON THE WAY.
Cut spot. JOSEPH is show begging in the street to the dancers.
JOSPEH: But you have to believe me! (Holds
up multicolored cloth) This is all that’s left of the coat my brothers took
from me! But that’s not important, you need to get me back home!
Spot on JUDAHITES 1, 2, AND 3
JUDAHITE 1: AND WE’LL ALL FLOAT ON OK…
JUDAHITE 2: AND WE’LL ALL FLOAT ON OK…
JUDAHITE 3: AND WE’LL ALL FLOAT ON OK…
JUDAHITE 1, 2, AND 3: AND WE’LL ALL FLOAT ON
ALRIGHT
ALREADY
WE’LL ALL FLOAT ON
NOW
DON’T WORRY WE’LL ALL FLOAT ON
ALRIGHT
ALREADY WE’LL ALL FLOAT ON
ALRIGHT
DON’T WORRY WE’LL ALL FLOAT ON
Spot cut, dancers continue their dance. The people walking about Judea
eventually slow down and face the audience to form a JUDAHITE CHORUS.
JUDAHITE CHORUS: ALL RIGHT ALREADY
JUDAHITE 3: AND WE’LL ALL FLOAT ON
JUDAHITE CHORUS: ALL RIGHT ALREADY
JUDAHITE 2: WE’LL ALL FLOAT ON
JUDAHITE CHORUS: ALL RIGHT
JUDAHITE 1: DON’T WORRY
JUDAHITES 1, 2, AND 3: EVEN IF THINGS END UP
A BIT TOO HEAVY, WE’LL ALL FLOAT ON
JUDAHITE CHORUS: ALL RIGHT ALREADY
JUDAHITE 1: WE’LL ALL FLOAT ON
JUDAHITE CHORUS: ALL RIGHT ALREADY
JUDAHITE 3: WE’LL ALL FLOAT ON
JUDAHITE CHORUS: OK, DON’T WORRY
JUDAHITE 2: WE’LL ALL FLOAT ON EVEN IF THINGS
GET HEAVY
JUDAHITE CHORUS: WE’LL ALL FLOAT ON
JUDAHITES 1, 2, AND 3: ALL RIGHT ALREADY
WE’LL ALL FLOAT ON
DON’T
YOU WORRY WE’LL ALL FLOAT ON
ALL
FLOAT ON.
Music ends, dance ends. The dancers blend in with the chorus to create a
mob of people doing their business in the city. The party (SOLOMON, JC,
GOLIATH, MARTHA, and PILATE) walks onstage. JUDAHITE 4 walks up to SOLOMON as
the group travels and shakes his hand.
JUDAHITE 4: I think you did the right thing.
Thank you so much.
SOLOMON grumbles and walks past her. JUDAHITE 5 walks up to him and
shakes SOLOMON’s hand.
JUDAHITE 5: My daughter wants me to say she’s
real proud of you.
SOLOMON grumbles and walks past him.
PILATE: Wasn’t he supposed to be over this
whole thing?
MARTHA: Trust me, this is an improvement.
SOLOMON: It was all a mistake! Peer pressure!
After Friday, I’ll sort this all out!
They arrive center stage and sit down/ lie down to rest.
MARTHA: All right, you guys should rest.
Goliath, how are we doing on food?
GOLIATH looks into the knapsack he carries, and then opens it up so
MARTHA can see.
MARTHA: … that bad. Stay here; I’ll see what
I can find downtown.
MARTHA exits the opposite way he came in.
PILATE: (still combing his hair) We’re not
actually going to just sit around, right? What do you all want to do?
GOLIATH: You’re not in charge. Solomon is.
PILATE: Goliath, you can take some
initiative, you know.
GOLIATH: I really don’t mind. This journey
has been the most fun I’ve had without having to turn an army of mighty
warriors into pudding. I’m still around, aren’t I?
JC: So tell us, Ponchi, why ya hangin’ out
with us?
PILATE: More votes? I could use the gold
Solomon promised me, and a few dirty deeds doesn’t seem like that much of a
price. Besides, most elections show that more often than not, the richer
candidate wins.
JC: Not always…
SOLOMON: But I dropped out. What would you
need the money for now?
PILATE: The stats don’t say anything about
how to use the gold. I just need to have it on me.
GOLIATH: I hope you don’t mind me saying
this, but your logic is flawed. That’s a misplaced correlation.
PILATE: True… but eighty-eight percent of
polled citizens think that that’s how it works. I’m just representing my common
men.
GOLIATH: (holds back of head in pain) Not
again…
SOLOMON: Darn it, Pilate, can’t you say
anything other than a poll?
PILATE: I can’t help it. I’m just the perfect
match for this country.
SOLOMON: That’s what bothers me! Stop doing
that!
PILATE: No chance, Solomon. I’m ready to
defend to the death any belief that isn’t my own.
SOLOMON: Sigh… do you even listen to half of
the things coming out of your mouth?
MARTHA arrives back onstage, dazzled and worse for the wear.
MARTHA: He did it again!
JC: What?
GOLIATH: Who?
MARTHA: Goliath, you told me that the man who
stole the map was dressed in all black, right?
GOLIATH: He was, I believe.
MARTHA: He took the money too!
EVERYONE ELSE IN THE PARTY: What!?
SOLOMON: But why pick on us? We’re not doing
anything wrong, per say…
PILATE: Hang on… dressed in all black?
MARTHA: I got a glimpse right before he poked
my eyes. I thought the pepper-spray got him, but it wasn’t enough.
PILATE: I think I know him. He belongs to a
secret organization known as The Christians, a special task force used to
hinder evildoers. Most people think it’s a myth, but I was contacted for a
possible membership. My wife suggested I decline…
SOLOMON: Sure… as long as the polls agree, am
I right?
PILATE: Actually, polls say most people deny its
existence… that is why I never bring it up.
JC: Can ya show us in?
PILATE: I could do something even better.
Blackout, end scene.
I'm starting to question whether this play needs to be a musical. The songs have seemed to have less and less to do with advancing or expanding the story, and I feel like the plot is progressing fairly well without them.
ReplyDeleteThe issue I have with many jukebox musicals is that the emphasis is on the songs first and the plot second. I recently saw one such musical where it was painfully obvious that the story (a series of brief and repetitive interludes) was just a flimsy excuse to sing the songs.
Plot-wise, I am more intrigued than ever now that the "men in black" Christians have been introduced as antagonists, and I want to see how they get handled later. Pilate's references to polls and money in politics were pretty clever and relevant. But as I said, I'm not sure the songs are essential to the overall narrative.
I'm inclined to agree with you on the musical part. I wrote this play originally as a proposal for this theater group I used to act in and volunteer for. They always did bible-themed jukebox musicals, so I did too to fit in. There will be some stuff coming up that I might still have in song, since I'll need your help replacing it, but otherwise consider the songs nixed.
ReplyDeleteAlso, what did you think of Scene VIII?