Friday, November 9, 2012

Lovely Denial

I live in denial of the things I have done.
I shut off my brain
to keep myself sane.
 
I nearly went mad before I fell in love.
Now love is a distraction
that blunts my reaction
 
to everything I fear whether I should or not,
to the world I live in,
to my own mounting sins.
 
In the back of my mind, I know nothing has changed.
Despite all my plans,
real control is not in my hands.
 
In moments when my lover leaves me alone,
I look at what I’ve done
and what I have become,

and I see that I am no better than before.
In many ways worse;
I still feel I’m cursed.
 
The threat of judgment hanging over my head
scatters my thoughts
and ties my guts in knots.

So I let myself slip under my lover’s lips.
If I will be absolved,
it won’t be my call.
 
 
I'm not crazy about the title, so feel free to offer suggestions in that regard.
 
Copyright (C) 2012 by Eric Landuyt

Wednesday, November 7, 2012

The Greatest Villains: Act I, Scene 6


Scene VI


Softer mood lighting up. The group enters a crowded fancy restaurant, full of several rich customers (at least 20 people) and white tablecloths, with flowers and small china plates, filling the entire stage. Luigi Boccherini’s “Sting Quintet in E Major, Op. 11 No. 5” plays in the background. SOLOMON looks at the letter and then looks up.

SOLOMON: (pulling up a chair, exhausted) I hope she’s really busy for the next ten hours or so.

JC: There she is!

JC points at MARTHA, who has entered the stage with bags under her eyes and an unkempt hairstyle, though she still smiles when she can. Speedwalking over to a SNOB COUPLE, she grabs a pad of paper from her apron.

MARTHA: Hello there! Welcome to the Best Supper. My name is Martha, and I’ll be your waitress this evening. Can I get you anything to eat?

SNOB: Yes, please, we have been waiting forever. I’ll have a well-done steak with lobster tails as my side. Also, I’ll sample your oldest Eden Noir and Babylon Burgundy. As a dessert, I shall partake in your macaroni and cheese dish.

MARTHA: (after writing all of this down quickly) I’m sorry sir, but macaroni and cheese is not on our menu.

SNOB: I know.

MARTHA: Sigh… And for you, Madam?

SNOBETTE: Hmm… I think I’ll have the bacon cheeseburger, with no bread since I have an allergy. And I’m lactose intolerant. And I’m a vegetarian.

MARTHA: … you want a pickle?

SNOBETTE: Oh yes! That reminds me. I detest pickles. Don’t give me any.

MARTHA: Madam, this restaurant can’t afford substitution foods. So unless you would like an empty plate, I would suggest you pick something…

SNOBETTE: Oh, nonsense! Bacon cheeseburgers were delicious before that horrid doctor told me about my allergies, and I’m sure they’re just as delicious now. Surely I’m not doing anything illegal.

SNOB: (Holds up his empty glass) I’m waiting.

MARTHA: Oh right! I’m sorry. (She takes the glass to a pitcher of water on another table, refills it, and then gives it back to the SNOB) Anyways, you’re going to have to choose something else.

SNOBETTE: Oh, all right then. The pork sandwich.

The SNOB has drunk his glass of water during this time and now holds it up again, tapping it with his fork.

MARTHA: Oh all right. I do have other customers, just so you know.

She goes to the pitcher, refills it again, and then gives the glass to the SNOB.

MARTHA: So you expect a meat and bread sandwich without meat and bread.

SNOBETTE: If you had substitutions, this wouldn’t be a problem.

MARTHA: It’s not my job make you sick, no matter how good it tastes. We could give you a soup or salad…

SNOBETTE: Look, hon, don’t you understand your job?

The SNOB has finished his water and has begun tapping the glass with a fork again.

MARTHA: I do, actually. I really want to help you. I’m here to guide you to a nice evening, but not to perform miracles. You’re overpaid enough, go hire someone to do that for you.

The tapping becomes louder.

SNOBETTE: Why I never…

The tapping has become even louder and faster.

MARTHA: (violently snatching the glass from his hand) All right already! I’ll refill this stupid thing!

She goes over to the pitcher of water.

SNOB: Ignore her, my dear. Women like her can be irrational at random times.

MARTHA, hearing this, grabs the pitcher of water and chucks its contents at the SNOB and SNOBETTE, drenching their fancy clothes. Everyone else in the restaurant stops pantomime talking, gasps, and stares at MARTHA.

MARTHA: If you think that’s bad on clothes, just wait for the Eden Noir!

The other restaurant patrons, freaked out by this, leave their tables slowly and quietly. The SNOB and SNOBETTE lead the way, only they bicker and shout amongst themselves as they exit.

MARTHA: That’s right! Walk away then! Cry into your silk-sown teddy bears while your at it, why don’t you!

 JC and GOLIATH have been watching this transfixed the entire time.

GOLIATH: Whoa.

JC: We should be caref… oy!

He notices that SOLOMON has fallen fast asleep, and he pokes him with his elbow.

SOLOMON: Wha? Pass on the brownies…

JC: C’mon! (Grabs SOLOMON by the arm and drags him to center stage. GOLIATH follows him)

MARTHA looks at her surroundings, and then goes over to the edge of stage right.

MARTHA: (to offstage) Don’t play it again, Sam.

The music fades out. MARTHA begins focusing her rush of energy by cleaning up the tables, but eventually throws down a dish in frustration. Panting and furious at herself, she takes a moment to calm down slightly and then notices the trio.

MARTHA: Unless you have a better job for me, I’m not interested.

SOLOMON: I have something even greater just for you.

He hands her the letter. MARTHA takes a few seconds to read it.

MARTHA: Well, it’s better than talking to my boss about tonight’s little incident. There’s just one thing: since I’m done with here, I need some way to support my family. Will I be paid?

SOLOMON: I know I will be. I can make arrangements just for you, my flower.

MARTHA: You can cut the sweet talk, Solomon. I know what you’re like to women, and I do have pepper spray on me.

SOLOMON:  (in disbelief) You recognized me?

MARTHA: No, of course I don’t know who the leader of our country’s enemy is. But I really don’t care. (Begins walking out) So let’s hit it before Jesus shows up and starts rambling again.

JC: Hmm?

MARTHA: Don’t ask.

GOLIATH: (to SOLOMON, as MARTHA begins putting abandoned food in her apron pocket) What did happen?

SOLOMON: If I remember the tale correctly, she was preparing a meal for Jesus while her sister, Mary, sat and talked with their guest. When Martha yelled at her for doing nothing to help, Jesus said…

MARTHA: (interrupting, automatically) “Martha, Martha, you are worried and upset about many things, but few things are needed- or indeed only one. Mary has chosen what is better, and it will not be taken away from her.” (Realizing that she spoke out loud looking at the others) I didn’t know I remembered so much. I thought I had forgotten what He even looked like. It’s been a long time. I’ve forgotten a lot of things since I went searching for the riddle’s answer, and I’ve lost a lot too…

Elton John’s “Don’t Let The Sun Go Down On Me,” begins playing. Spot on MARTHA.

MARTHA: I CAN’T LIGHT NO MORE OF YOUR DARKNESS.
         ALL MY PICTURES SEEM TO FADE TO BLACK AND WHITE.
         I’M GROWING TIRED, AND TIME STANDS STILL BEFORE ME…
         FROZEN HERE ON THE LADDER OF MY LIFE.

         TOO LATE TO SAVE MYSELF FROM FALLING…
         I TOOK A CHANCE AND CHANGED MY WAY OF LIFE.
         BUT YOU MISREAD MY MEANING WHEN I MET YOU,
         CLOSED THE DOOR, AND LEFT ME BLINDED BY THE LIGHT.

         DON’T LET THE SUN GO DOWN ON ME…
         ALTHOUGH I SEARCH MYSELF, THERE’S ALWAYS SOMEONE ELSE I SEE.
         I’D JUST ALLOW A FRAGMENT OF YOUR LIFE TO WANDER FREE,
         BUT LOSING EVERYTHING IS LIKE THE SUN GOING DOWN ON ME.

         I CAN’T FIND, OH, THE RIGHT ROMANTIC LINE
         BUT SEE ME ONCE AND SEE THE WAY I FEEL.
         DON’T DISCARD ME JUST BECAUSE YOU THINK I MEAN YOU HARM
         BUT THESE CUTS I HAVE, OH THEY NEED LOVE TO HELP THEM HEAL.

         DON’T LET THE SUN GO DOWN ON ME…
         ALTHOUGH I SEARCH MYSELF, THERE’S ALWAYS SOMEONE ELSE I SEE.
         I’D JUST ALLOW A FRAGMENT OF YOUR LIFE TO WANDER FREE,
         BUT LOSING EVERYTHING IS LIKE THE SUN GOING DOWN ON ME.

Have I fallen so far that I’m chosen as a villain? I’m low down, but I can’t be that far. I only meant well.

         DON’T LET THE SUN GO DOWN ON ME…
         ALTHOUGH I SEARCH MYSELF, THERE’S ALWAYS SOMEONE ELSE I SEE.
         I’D JUST ALLOW A FRAGMENT OF YOUR LIFE TO WANDER FREE,
         BUT LOSING EVERYTHING IS LIKE THE SUN GOING DOWN ON ME.

The song plays out, cut spot once music ends. MARTHA sits down, distraught over what’s happened to her life.

MARTHA: I can’t join you. I started out trying to figure how Jesus told me to change the world; I won’t let the devil choose me again. I feel as if God Himself gave me that quest, and I’ve failed Him… failed from the first meeting to this job.

SOLOMON: Martha, may I help?

MARTHA nods, SOLOMON sits besides her.

SOLOMON: Giving up your most valuable asset- time- is noble. From my understanding of the tale, Jesus merely said that the true goal- love of all neighbors- should always your purpose. You’ve been doing that. Doing a job you hated for your kids is great, as long as you still take time to love them.

MARTHA: So… I’ve been doing ok?

SOLOMON: I can’t say. Only you can.

MARTHA: … I don’t know yet.

SOLOMON: How about this: come with us and think it over. Your family will be paid for your troubles, regardless of what you choose. Maybe as your ‘reward,’ he can give you the answers you need.

MARTHA: That’s right! Oh thank you! (Regaining composure) Now let’s get going!

SOLOMON: Well, there’s really no rush…

Suddenly, the MANAGER of the restaurant arrives.

MANAGER: Closing time everybo… what the heck happened here!?

He looks at the destruction all over the place, and then sees the party.

SOLOMON: Last one out pays the check!

The party scrambles out as the MANAGER chases them, shouting as he goes. Lights fade out, end scene.

Sunday, November 4, 2012

The Dying Prairie, or He Just Walks On


A stiff wind whips across the dying prairie,

pulling up the dead grass and depositing it among the still living.

The stone grey sky casts the gloom over

an old mutt dog trudging down the solitary dirt road.

The wind taunts his wheezing pant like a bully,

whistling and howling in his ears,

doing its best to push him over.

The mutt is too tired to howl or bark

or growl or even whine.

He just walks on,

hanging his head low to keep the wind out of his eyes,

which are the same shade of foggy grey

as the patches of fur on his dingy coat.

The wind makes him shiver, but it doesn’t speed or slow his pace.

It ducks through the posts of a collapsing fence along the side of the road

and asks him,

“Wwwwwwhhhhhhheeeeeeeeerrrrrrrrreeeeeeee?

Wwwwwwwwhhhhhhhhyyyyyyyyyyy?

The dog doesn’t answer because he doesn’t know.



Copyright (C) 2012 by Eric Landuyt
 

Friday, November 2, 2012

Man on a Cross

Man on a Cross
A man on a cross is staring at me.
The whole left side of his face is smashed in;
jaw broken, lips split open, eye swollen shut.
But with his one good eye, he eyes me.
There’s something in his gaze I can’t quite place,
something like contempt,
or perhaps a warning.
Bullet holes pepper his scalp, and the blood runs
down his cheeks and neck,
pooling in the groove of his protruding collarbone.
But he keeps looking at me
with that steely black glare.

Shut your eye, old man.
Shut your eye.


Copyright (C) 2012 by Eric Landuyt



The Greatest Villains: Act I, Scenes 4 and 5


Scene IV

Full lights. The group (SOLOMON, JC, GOLIATH) walks through a desert full of billboard advertisements and gas stations in the background. SOLOMON looks famished as JC leads on with a staff.

SOLOMON: Can we please rest? I’m starving!

JC: But we only have three days left!

SOLOMON: We haven’t eaten in… in…

GOLIATH: We just ate ten minutes ago.

SOLOMON I know! (He collapses on the floor) Oh why did I ever leave my cozy throne? I demand we turn back now! I can’t take another step forward!

GOLIATH: Please don’t shout. We will depart if you so wish.

JC: Solomon, what about the gold?

SOLOMON: I really don’t care right now…

JC: Ya can’t say that ‘bout Goliath, right? Goliath, I think ya should help your friend.

GOLIATH picks SOLOMON up and puts him on his back

SOLOMON: Wait, what are you doing? Put me down! No king should be seen like this!

GOLIATH: …I haven’t exercised in a while.

JC: Solomon, there’s nothin’ ta worry about. God gave ya a friend ta help… from what I’ve seen, he never has an impossible situation. Always a way out. All ya need ta do is look around this beautiful land and observe.

He hits the ground with his staff to signal the start of “The Obvious Child,” by Paul Simon. Lights at green/blue. The group clears the stage for dancers to preform a dance until the song ends by 2:09. End scene.

Scene V

The dancers leave as the group takes center stage again. SOLOMON jumps down from GOLIATH’s back.

SOLOMON: Thank you. I needed that.

The group then turns to notice the border patrol booth on the middle of the stage enforced by two BORDER PATROLSMEN.

JC: Well, here we go! Ta Judah!

SOLOMON: Wait, we have to go there!? … I can’t do that.

GOLIATH: Why not?

SOLOMON: My country split in half a couple years ago. That’s the border patrol of the side that hates me.

GOLIATH: What did you do?

SOLOMON: I needed gold for my kingdom, so I raised taxes. They rebelled as a result, the ungrateful sheep.

JC: Hmmm… Say, Solomon, how well do ya know ya Bible history?

SOLOMON: Very!

JC: So how did Jacob trick his father?

SOLOMON: He wore a goat’s skin to trick his blind father into thinking he was his brother.

JC: Yep! So here’s the plan…

JC takes them both offstage, whispering to them as they go. After they’re offstage for a while…

SOLOMON: (offstage) Jadau, if you survive this, I’ll kill you!

JC and GOLIATH go back onstage and walk up to the two BORDER PATROLSMEN. One of them takes a spear and holds it close to GOLIATH, who cowers before it.

BP1: Halt! What is your business in Judah?

JC: Don’t mind us, good sir. My dad and I are visitin’ some friends.

BP2: How do we know you’re not a spy for Solomon?

JC: We’re just harmless farmers. If not, why would we bring a goat along?

BP2: What goat?

JC: Oh, right. (Whistles towards backstage) C’ere, Goatee!

SOLOMON enters on all fours, dressed like a goat. He crawls over to the guards.

SOLOMON: Um, bah.

BP2: Curious… How do we know it’s not someone in disguise? Could be Solomon himself, that crafty…

BP1: Are you crazy? Solomon’s a king, and a proud one at that. There’s no way he would lower himself to crawling on all fours. (To the group) We’re sorry for your troubles. You can go.

JC: (walking past the booth) Thank you.

GOLIATH: (walking past the booth) Thank you.

SOLOMON: (crawling past the booth) Thank you.

SOLOMON and the BORDER PATROLSMEN freeze as SOLOMON realizes his mistake and the BPs eye the ‘goat.’

BP2: Hold the phone… did that goat just talk?

GOLIATH: Umm…

SOLOMON: (shaking his head) Bah! Bah! Bah!

BP2: (falling to her knees) Praised be the Lord! For He has worked one of His miracles on this goat!

JC: Yea, that’s nice. Now we really ought ta go…

BP1: Not so fast!

The group freezes in their fear.

BP1: Before you all leave, may we have a blessing? It could be from the hand of the father (points to GOLIATH), or the son (points to JC), or the holy goat (points to SOLOMON).

GOLIATH: Of course! Go for it, Goatee!

Both BORDER PATROLSMEN kneel down, bow their heads, and close their eyes. SOLOMON stands up and puts his hands on their head.

SOLOMON: (suddenly struck with an idea) Lord, bless these noble guards. Let them be inspired by each other’s creativity and humility. Most of all, let them realize that Solomon really isn’t that bad of a guy, and that they should let him pass if he transforms from a goat into a man.

SOLOMON takes off the goatskin. The BORDER PATROLSMEN stand up and open their eyes, completely shocked!

BP1: Blessed be the lord! You may go now, goat-man. Good luck on your travels.

The main group moves to the other side of the stage.

SOLOMON: Thank you. I guess it was worth the humiliation.

JC: Anytime, friend. Jus don’t be surprised if that lil’ episode ends up on YouTube.

SOLOMON: YouTube!? Why you…

SOLOMON chases JC offstage as JC laughs. GOLIATH runs, following them.

BP2: (after watching all this) Do you think that it was Solomon all along and that we were duped?

BP1: Isaac, what have I told you about thinking?

BP2 looks down, ashamed. Blackout. End Scene.